I'm pretty sure this goes back to 2011. I posted about this some years ago about how she changed some lyrics and completely ignored some others but it still is a killer version of CTK.Oh, dat troompit!
I think she left out two full verses, if I'm recalling Mr. Young correctly in my noggin. But, whatev... a southern man don't need him around, anyhow.I'm pretty sure this goes back to 2011. I posted about this some years ago about how she changed some lyrics and completely ignored some others but it still is a killer version of CTK.
I hadn't seen that level of horn-guitar interplay since early Chicago with Terry KathI think she left out two full verses, if I'm recalling Mr. Young correctly in my noggin. But, whatev... a southern man don't need him around, anyhow.
The trumpet definitely moved me, but I was incredibly impressed by Joe Satriani who is not necessarily known for being that reserved in an ensemble. His guitar tone worked really well, he didn't overplay is parts, and I didn't even realize it was he who was pulling off the amplifier feedback that is so tastefully prevalent in the NY original; I thought originally that it was Grace Potter doing a swell on her keys.I hadn't seen that level of horn-guitar interplay since early Chicago with Terry Kath
All the years I've been listening and singing along to this song (ah, the olden days of illegal downloads and hard drive AIDS...), I never knew until maybe a year or two ago that KWS was not the vocalist on this! It wasn't until I watched a live performance that I saw it. Then I had to go back and watch even more, and it was like everything I thought I knew was a lie.
All the years I've been listening and singing along to this song (ah, the olden days of illegal downloads and hard drive AIDS...), I never knew until maybe a year or two ago that KWS was not the vocalist on this! It wasn't until I watched a live performance that I saw it. Then I had to go back and watch even more, and it was like everything I thought I knew was a lie.
LimeWire
Napster.
FUCKIN FENOMENALIf this had been released by Deep Purple, Pink Floyd, Traffic or any major white band back in 1971 it would be well know by most of you as the best rock guitar solo of that year or even the decade. As it was released by George Clinton's Parliament/Funkadelic on a record called Maggot Brain the vast majority of white audiences didn't have a clue of it's existence.
So ladies and gentlemen of Cigar Pass listen with an open mind and let Maggot Brain clean out the space between your ears,
LimeWire, son of KazaaLimeWire
You mean something like this?I would love to hear this song remastered with proper production. I never realized how thin and garage-recording it sounded until I "rediscovered" it a few years ago.