Then came . . . .
Lucy.
Which some, especially in "serious" circles, pan relentlessly for using the unscientific canard about "only using 10% of our brains" as its central premise. To those people I say . . . STFU and eat your popcorn.
Personally, I thought Besson got a bit too clever with his film editing in the early sequences, and much too underwhelming with his finale at the end, but that everything in between was totally worth watching. Scarjo's action chops meet Besson's action directing and it's pure adrenaline, beautifully filmed.
Of course this brings us to his latest:
. . . . and gods do I ever love this movie! If I ever win a lottery, I'm arranging to see it in IMAX 3D the way it SHOULD be seen, which my local IMAX-equipped movie house inexplicably chose NOT to do, the assholes. I'll sit in the middle of the theater all by myself eating popcorn and glorying in the most amazing visual spectacle ever put on film.
Valerian showcases Besson's talents at their peak, and his flaws at their most annoying---like Chris Tucker's Ruby Rhod in
Fifth Element, Rihanna's comic relief as the shape shifting dancer Bubble goes on . . . a bit too long, even if it does lead to an amazeballs action sequence later. And the plot is pretty thin---but then, so was
Fifth Element's, after all. A movie like this you only really need enough story to hang all your action sequences and stunning visuals on, and
Valerian is just non-stop incredible on both accounts.
I'm just patiently waiting to add it to my Amazon Video library so I can watch it, oh, I dunno, a hundred or so more times . . .
And there ya go. Hope y'all enjoyed the ride.
~Boar